TOCK

Is it a real detective story if there isn't a scene where the detective gets the shit kicked out of him?
I think not.

Homage / Rip-off

Still haven't seen Tintin. I guess I'll just wait for the dvd. Anyway, here's one of my favourite gags from from The Blue Lotus. Which I then ripped off in my book, Tell Me Something.

... Cat

The Pianist

Adrien Brody is Wladyslaw Szpilman, a Jewish musician trying to survive in Warsaw during World War 2. Directed by Roman Polanski.

It's a tremendously powerful film. It's less sentimental than Schindler's List. I don't think there are any scenes in this film that could have been parodized on Seinfeld. Each time I watch films like this or documentaries about the holocaust, it's hard to wrap your mind around the fact that this happened less than seventy years ago. It's impossible to imagine what Szpilman goes through. I normally like black and white films, but I think colour works best in this story. You are used to images in black and white from WW2, and this film being in colour brings the story closer. The film makes you lose faith in humanity, but at the same time, through Szpilman's survival, makes you believe in the human spirit.

Hostage

Bruce Willis is a former police negotiator who gets the chance to redeem himself. Also starring Kevin Pollak and Ben Foster, directed by Florent Emilio Siri.

On the list of underestimated Bruce Willis films - it's a pretty short list - I think this one should be somewhere close to the top. There's something strange about this film, and it took me a while to realize what it was: It's a modern action film / police drama, but the camera isn't constantly spinning around for no reason. Sometimes it doesn't move at all! It's directed in a rather classic style by Siri, who also did the terrific French film Nid de Guêpes. It's the visual style that makes it worth watching, rather than the story that's not that much to brag about - they could have worked a bit more on the script. Bruce Willis is solid in his part and Ben Foster makes a convincing psycho. I'm sure he could spend the rest of his career doing those parts if he wants to. There is some violence towards small kids in the film that is a bit unpleasant. Also a pretty neat Sin City-ish title sequence.

Fanny and Alexander

It's a bit hard to get much of a christmas feeling in the south of France, so what better than to re-watch Ingemar Bergman's Fanny and Alexander, his part Scandinavian melancholia, part magic realism tale of a family in the early part of the previous century and a summing up of the director's oeuvre (Look, Ma, I used the word oeuvre!).

There are some funny differences between Norwegians and Swedes. Swedes like to sing drinking songs, something that Norwegians never do. And they often refer to each other in the third person when talking. Each time I watch this film I tell myself I should check out more of Bergman's earlier black and white films, but they have a reputation of being dark and depressing, so I never do. And where do I start? The Seventh Seal? Everything comes together for this film: The composition of the images, Sven Nykvist's cinematography, all the actors, even the two kids! and the script. A masterpiece, and the extended tv version is even better. Favourite parts: the escape, the puppet, the mummy, the scene with Ismael and Gustav's speach.

Terminator 2

I was going to watch Seven Samurai, but what's with the yelling of all the lines of dialogue? I know it's a classic and everything, but do I need three hours of this? So I stoppet it after ten minutes and rather put on... Terminator 2! Arnold Schwarzenegger is the bad ter... no, wait, he's the good terminator. Directed by James Cameron.

The film came out in 91. It's 20 years old! I've reached the age where it's almost a bit depressing to watch films like this. Where did all the years go? Sigh... Well, anyway... Terminator 1 is a better, leaner film, I think. T2 has some fat in the middle. The part where they go to kill the computer guy drags a bit. Linda Hamilton's voiceover they could have skipped and Edward Furlong is a bit annoying. The CGI stuff is still pretty impressive, but it's also the beginning of the end in a way. It's all going downhill from here on, ending up in wall to wall CGI fests like Van Helsing. The pepsi product placement also ruins it a bit, always showing up in the best scenes, dammit! Cameron knows action, of course, but he's also good with the small details. Love the scene of the T 1000 waving his finger in a no, no sign.