Monday, June 30, 2014
Sunday, June 29, 2014
A great, little film - kind of noir, but in colour and cinemascope. The story is told with carefully composed images, building tension from the opening shot until the moment of the bank robbery. It's somewhere between Suddenly and Witness in the small city setting and the final shootout at the farm. That Mature turns out to be a hero is maybe not a big surprise, since it's built up to that from the earlier scene with his son. It makes me want to find more films by Richard Fleischer, who had a pretty long career. Checking imdb, I see I've only seen a few, like Narrow Margin and Armed Car Robbery, both very good as far as I can remember.
Thursday, June 26, 2014
Wednesday, June 25, 2014
So you went to Berlin and only did a couple of lousy sketches? Yes, but as soon as I sat down to draw it started to rain. It was like a rule or something. And former Eastern European architecture is hard to draw, okay?
Saturday, June 21, 2014
Wednesday, June 18, 2014
Monday, June 16, 2014
Still too expensive, though...
Friday, June 13, 2014
Stuff bought in Paris
Violent Saturday by Richard Fleischer
One From The Heart by Francis Ford Coppola
Beauty and the Beast by Jean Cocteau
Barbarella by Roger Vadim
The Year of Living Dangerously by Peter Weir
Legend: Ultimate Edition by Ridley Scott
What We Did On Our Holiday by Fairport Convention
Sir John Alot of Merrie Englandes by John Renbourn
Tuesday, June 10, 2014
Monday, June 9, 2014
Top five Robert Aldrich films:
1. Kiss Me Deadly
2. The Dirty Dozen
3. Ulzana's Raid
4. Vera Cruz
5. Whatever Happened to Baby Jane
Saturday, June 7, 2014
Wednesday, June 4, 2014
Shy, lonely butcher Ernest Borgnine meets shy, lonely school teacher Betsy Blair. Directed by Delbert Mann.
This must have been a strange film when it came out in 1955. No movie stars, but rather regular people talking like regular people. It actually feels pretty modern. The dialogues by Paddy Chayevsky almost feel a bit David Mamet-y in the use of repetition. I dunno, what do you wanna do tonight? There's even the Tarantino pop culture moment of characters talking about Mickey Spillane. Not all the threads are tied up. Did he buy the butcher shop at the end? We're not told. Ernest Borgnine, stepping up from lots of bad guy roles, is very appealing, and so is Betsy Blair. She's too pretty to be the "dog" she is referred to in the film, but that's fine, that's Hollywood, and they look good together on the screen. I got really invested in the film, and started looking worriedly at the timer towards the end - five minutes left, are they gonna end up together or not?
Tuesday, June 3, 2014
Monday, June 2, 2014
Sunday, June 1, 2014
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